Bandung Scene Music

to be sold, it can be said as one milestone revival Bandung bawahtanah music scene. This studio was founded in 1994, by Richard Mutter-time drummer PAS-Dxxxt, and Helvi Syarifuddin. When growing Reverse then expanded its business by open a distro that sells CDs, cassettes, posters, t-shirts, and various other imported accessories. 40.1.24 Richard build an independent label, His first release was the compilation CD "Masaindahbangetsekalipisa n" year 1997, contains the indie bands that period, among others Burgerkill, Puppen, Papi, Rotten To The Core, Full of Hate and the Waiting Room, as the only band from Jakarta. Can be said, this period early popularization discourse tonggal Do It Youself (DIY), ie a form of thinking that emphasizes individual initiative in building counterculture movement. Through this discourse also Richard and his band in 1993, PAS, PAS made history as the first Indonesian band released album independently. Four mini-album Through The S.A.P 5000 tapes were sold out sold out within a short time. PAS Success not separated from the role of the 'mastermind' who gave birth to the idea of releasing albums PAS these independently. He is a (late) Samuel Marudut, Music Director GMR Radio, radio stations in Bandung special play music rock / metal. This radio also has a special program plays demos record amateur rock bands from Bandung, Jakarta and surrounding areas. Bands who also later manifest discourse since the early kemunciulan after moving and consistent is Puppen, Pure Saturday, and Cubic. Several years before the establishment Puppen, there are other communities gathered at the third floor of Bandung Indah Plaza shopping center. This community Bandung Death Metal called themselves Area, or Badebah, most of whom are music lovers of thrash, death metal, grindcore dams. Pioneer community This is Uwo, Funeral vocalist, the band that stood Sukaasih, Ujungberung. Badebah growing rapidly. Who come hang out later not just children's metal, but also mingled with punks, hardcore, and others. Marchell, Puppen drummer on their first two albums is one of the youngest members Badebah. Funeral In addition, the band who also joined in this community is Necromancy and body. Meanwhile in the city of Bandung in general, a contemporary band with Funeral is the Rebels Youth, Succubuss, Insanity, and the mortar. Badebah also had a radio program in Dwihasta Hail Rama Sukaasih, Ujungberung between the years 1992 to 1993. This program even have a high rating. Within a week of our broadcast-General, Dinan, Uwo, Iput-can get letters and postcards more than two hundred to three hundred pieces. In another corner, children younger Ujungberung, began to form komuitas alone or joined with metal communities new-born at that time. They hang out in Jogja Kepatihan, Kings, and Palaguna. The more intense meet, they later agreed to set up extreme metal lover organization. The organization was later established Bandung by the name Lunatic Underground (BLU) in 1993. The figure Instead, among others, is the scenester Ipunk, Romy, Gatot, Yayat, and Dani. In Ujungberungnya own, then the community develops. Sebelunya in There were already established bands Orthodox Yayat (Revolt! Records) Dani (body), AyiOto (Sacrilegious), and Agus (Sacrilegious) in 1988. Bands and then grew increasingly fertile in Ujungberung when Studio Palapa standing. Ujungberung bands also later released diligent their album independently. Of the ten releases indie scene Indonesia in 1995 which successfully documented Magazine O, three release of them from Ujungberung, they are Sacrilegious degan Lucifer's Name Be album, Pray, Sonic Torment album Haatzaai Artikelen, and body with the album La Vie C'st. Scene movement Ujungberungan more solid when they formed a network organization metal Indonesian community cooperation, Exteme Noise Grinding (ENG). ENG Program is to conduct propaganda musical Ujungberung which we are familiar with Bandung later Noisy, and making zines. Revograms first edition, March 1995 ENG-made so-called The first zine in bawahtanah Indonesian music scene. Ujungberung soon become the epicenter for metal music bawahtanah Bandung even Indonesia. The dynamics of their development is fully supported by da rehearsal studio recordings, Palapa Studio pioneered by kang Memet Sjaf. Together Yayat, Kang also Memet which then builds character Ujungberungan initial sound unique and powerful. From this studio born bands are now iconic metal music scene that bawahtanah born after the era of Orthodox-Funeral-body-Necromancy. They are the Three Side of Death, Analvomit, Disinherit, Sacrilegious, Sonic Torment, Morbus Corpse, Forgotten, Burgerkill, Naked Truth, Embalmed, Beside, and forth. ENG then dissolve into more liquid. Program activities perahan naturally move in accordance with the needs of the moment: the supporting crew bands gigs. So began the tradition of coaching crew Ujungberung. They then called the Homeless Crew, a name created by Ivan Scumbag, Kimung, and trash as a manifestation Addy from denying an established lifestyle. Throw street lifestyle mewarai daily and on giliranya, Homeless Crew mindset. Meanwhile, increasingly intensnya Crew Homeless children learn sounds and tools, they contain more passionate fatherly form a band. Until the year 1997 At least there are sixteen bands in Homeless Crew. They agreed to collect their work in one komplasi which they named Ujungberung Rebels. In 1998 a compilation was released by the Independent Records with the title of Independent Rebels. This compilation scrutiny good from various circles. Homeless children also Crew slowly have a new designation for their community: Ujungberung Rebels. At this time, urban growth is also indie music scene more rapidly. Various genre was born and developed, a variety show bawahtanah music held in the building turns music pergeraran bawahtanah that time, Gordon Saparua. Unmitigated almost every weeks since the I-Hullaballo bawahtanah first music event in Bandung 1994-bawahtanah musical performances were held. His name is all sorts, Underground Bandung, Bandung culvert, Mixed, Bandung Noisy, Boomer, Master of the Underground, and others. This performance is stereotypes: displays local bands Bandung, sometimes also invite outer bands of Bandung, which play different kinds of music. From this stage of such iconic bands Puppen, body, Burgerkill, Forgotten, Sacrilegious, Full of Hate, Pure Saturday, Closeminded, Koil, Motordeath, Noise Damage, Hellgods, Homicide, Nicfit, Rutah, The Clown, Jr. Turtles., Noin Bullet, Agent Skins, Bars, Helmets Project, Cherry Bombshell, Sieve, and others. Slowly each community and then build a network that coloring all aspects of life of people living in it. The realization of this network is rampant label released ompilasi in indie domestic and overseas that included bands local. Do not stop there, in 1999, FastForward Records released some overseas bands albums like The Chinkees (American), Cherry Orchard (France), and 800 Cheries (Japan). In the sequel, instead Bandung local bands who later released a lot of foreign labels. Some of them are Forgotten, body, Homicide, Domestic Doctrine, and the most actual is Bugerkill. The development of this exciting band also added to the Start rampant manufacture of merchandise which in turn encourages kloting industrial growth in the city of Bandung. Business distro minor who had pioneered the Reverse spawned many other embryos. And then born klotingan and distros like Rebellion Shop, 347 Boardrider & Co.., No Label Stuff, Airplane Apparel System, Ouval Research, Riotic, Anonymous, Harder, Monik, and so forth. Emergence These shops not only indicating the development scene young people in Bandung, but also other cities such as Jakarta, Yogyakarta, Surabaya, and so forth. Besides music, extreme sports, and fashion, literacy is also evolved rapidly in the city of Bandung. Since the emergence Revograms 1995, tens of zine-media to share information and communicate between communities in the form selembaran or small magazine-born photocopied format like mushrooms in rainy season. Can be said, the era could be called the resurrection zine both literacy Bandung after the era of the 1970s that topical Magazine built by Sonny Suriaatmadja, Denny Sabri Gandanegara, and Remy Sylado. Zine-zine is distributed in the distros. There is a free, no also on sale. Its contents include a variety of news and issues concerning the dynamics of yangbersangkutan with the zine community and the indie scene of Bandung, Indonesia, and internationally in general. Shortly after the emergence Revograms, then born indie fanzine like Swirl, Thirteen, Burn and others participate Limits enliven Bandung indie media. Ripple and Trolley emerged as subculture magazine that discusses the tendency of Bandung and jug lifestylenya. Trolley finally collapsed in 2002, while Ripple magazine into the pocket change from the standard magazine format. While which is generally photocopied fanzine until now still continue to exist. During pertengahan1990an until 2000s, when the fashion industry still in its early stages of development, distros that still allow for a scenester to meet, discuss, and share information. Distributions into a kind of social space where the community met and the circulation zine. This is seen from the contents of near-zine contains all news related to community dynamics. When orientation distributions of the 2000s increasingly meleceng support dynamics community towards 'purely commercial', discussion spaces are limited. Zine was mutated form, no longer a propaganda media development community, a place to share information and communicate with each other, but only acts as a mere trade catalogs. However, it did not interfere with the development of literacy in teakd bawahtanah scene of Bandung. 2000s, culminating with establishment of bookstores that begins with the establishment Tobucil, Ultimus, House Books, and Omuniuum. Discussion places and spaces zine circulation of the first uses of space-space distributions, now turned into bookstore. In addition to the bookstore, which then develops is publishing that grew from the culture of independent music community. Books are minor one publication that is committed to lifting the works and history of the community. Published book, Myself: Scumbag Life and Beyond Death works Kimung year 2007 can be cited as the first work bawahtanah documenting the music scene in a comprehensive manner in Over the past two decades. Which should be observed is that This book is the first book of the trilogy series of history books Bandung bawahtanah scene that will work on Minor's Books. The second book Dina Panceg plan titled Lines, Ujungberung Rebels, and books Bandung Bawahtanah third plan 1980-2010. Meanwhile, the fashion trends in Bandung was not growing only in kloting only. Various forms of celebration in the living-room public to donate a big thing for the growth dynamics of fashion. From events such as music concert, Art Market, ITB, Dago Festival to the political demonstration that motor racing often emerged in the past ten years on the streets The main city of Bandung Bandung facilitate people to leave the house and being watched. These things and then bring special blessing for the development of music, also includes the development of street fashion in Bandung, who later also joined encourage the growth of existing distros to keep growing multiply. In addition, Bandung citizen also gets the means fashion recycling in the area allegedly Tegalega shanties inhabited around 3000 vendors of used clothing, mostly imported from abroad. In contrast to the distribution, the used clothing business since The '95 move from one place to another area such as Cibadak, Palm, until finally in the area is visible Tegalega much simpler. Although the current activities in the Tegalega already transferred to a different place (region Gedebage, Ujungberung), where This still has a special influence on fashion trends Bandung city. Meanwhile, a new phenomenon erupted in the early 2000s when Gordon eventually banned Saparua used for music concerts. After that, music concert held bawahtanah also increasingly rare because the more dipersulitnya problems and constraints in terms of licensing funds. Can be said this is a phase that is most alarming in the development of indie music scene in which the city of Bandung dinasbihkan as a barometer of Indonesian music is apparently completely not have adequate facilities as a concert hall, nor did have a good regulation that could develop the potential of citizen art society. Performance is a performance which was then rife pensi pensi-level targeting generally music that longer trends. Mid-2000 rock n 'roll modern and increasingly dominate emocore Bandung music platforms. However, the militancy of the bawahtanah like endless. No Saparua can perform in class, the scene moves perkomunitas halted. They held small gigs, at places where smaller, with fewer listeners, exclusive of them-by them-for them. But some places are often used TRL is in Braga Bar, Discotheque on Jalan Asia Afrika Nasa, and Building AACC in Braga. Performances are also sometimes held in Such initiatives spaces Commonroom, while also surreptitiously in space Any public to cooperate with the community. Child punk for example, held regular gigs at the White Villa, cv. Or children Rebels with a new faction Ujungberung they Bandung Death Metal Syndicate which held in collaboration with a group of Bandung Deathfest the traditional Sundanese. Rebels Ujungberung itself is the only bawahtanah community who get recognition as an indigenous village by the adat Sunda group. They are named "Kampung Sunda Group Underground. " Fortunately, these conditions are not conducive to the balanced development of media and information technology. One example is development of recording technology that allows bands to record music they are using computers, so they no longer have to rely in the mainstream industry and imported products. Currently, the music industry Bandung could be produced in small studios, homes, and in boarding room. In addition, developments in information technology also allows each community to be associated with and obtain information they need. Through the internet that already developed since 1995, Bandung is now a part of a virtual network that opens doors to global network. MTV's presence was not at least have a little role, because through this TV station got some underground bands Bandung opportunity to be heard by a wider public. In addition, MTV presenters in national broadcast also did not hesitate to use products from local kloting from Bandung, so their products become increasingly popular. The impact was not small. Over the last few years, Bandung citizen already familiar with the roads that get stuck on the end of each weeks. In addition to invade factory outlet, the visitors who come to Bandung city was usually flock to join existing distros, triggering an important growth, especially in terms of economics. This growth is not directly proportional ternyaa provision tools that can support the creativity of young people to Bandung continue working. The absence of the concert hall seemed to be gradually constraints that inhibit the development dynamics of the music in the city of Bandung. Case This then sticking when dated February 9, 2008, eleven people spectator died at the band's album launch performances in Building Beside AACC. During the concert, all went very orderly until the end twenty minutes after the concert ended and the spectators, who scramble to exit clashed with the audience who fought to get into in the performance arena without knowing if the gig has ended. Finally, eleven people suffocated and were trampled in the tragedy. The continuation of this tragedy opened the eyes of many parties that how we've been too engrossed in his own without knowing if this community and the growing need for trained. How this community more large and therefore required a larger space for support their development. This tragedy also then made the as a platform for consolidation among creative communities in Bandung to move forward together in a movement of economic, social, cultural and politically inclusive, integrative, applicative, and strategic. Two of Among the many once the knot is formed naturally in this process Bandung is the Independent Solidarity (SIB) and the Bandung Creative City Forum (BCCF) in which a community consisting of various disciplines science, from musicians, artists, writers, technocrats, designers, architects, bikers, lawyers, businessmen, students, environmental activists, activists Movies and literacy, indigenous Sundanese village groups, and others. Wrong one manifestation of this community nodes are digelarnya Helarfest 2008 which is a series of 31 events that followed creative communities in Bandung that was held during July until August 2008.

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